Choice
ID
Image
Painting (From A to Z)
Details
40823
Skeletons Fighting over a Hanged Man
mk156
1891
Oil on canvas
59x74cm
37459
Skeletons Fighting Over a Pickled Herring
mk126
1891
23287
Skeletons Flghting for the Body of a Hanged Man (nn03)
1891
Oil on canvas 59 x 74 cm 23 1/4 x 29 1/8 in Koninklijk Museum Voor Schone Kunsten,Antwerp
34048
Skeletons Flighting for the Body of a Hanged Man
mk87
1891
Oil on canvas
59x74cm
Antwerp,Koninklijk Museum voor Schone Kunsten
37570
Skeletons Playing Billiards
mk126
1904
37556
Sloth
mk126
1902
The Depiction of sloth is almost theatrical.
37572
Souvenirs
mk126
1926
Various authors have expressed the opinion that Ensor-s Creativity dissipated around 1900
37489
Still life with Blue Jar
mk126
1890-91
37494
Still life with Blue Vase and Fan
mk126
1889
37496
Still life with Chinoiseries
mk126
1928
37527
Strange Insects
mk126
1888
Here,Ensor Depicts himself as a beetle,and Mariette Rousseau,His Friend-s Wife whom he much admired,as a dragonfly
37453
The Adoration of the Virgin
mk126
37454
The Adoration of the Virgin
mk126
37430
The Annunciation
mk126
37431
The Annunciation of the Magi
mk126
37518
The Artist-s Studio
mk126
1930
37443
The Ascent to Calvary
mk126
37531
The Assassination
mk126
1890
The Macabre side of the Victorian imagination was fueled by naturalist novels and sensationalist tabloids
37452
The Assumpton of the Virgin
mk126
37533
The Bad Doctors
mk126
1892
Beginng in the 1890s,Ensor produced a number of Satirical paintings that mocked Belgium-s professional middld class-judges.
37435
The Baptism of Christ
mk126
37474
The Baths of Ostend
mk126
1899
37569
The Billiard Cue in the Drap,Henri de Groux Playing Billiards
mk126
1903
37488
The Blue Flacon
mk126
1917
37479
The Cathedral
mk126
1886/1933
37480
The Cathedral
mk126
1886
37481
The Cathedral
mk126
1896
37434
The Circumcision
mk126
56305
the damsel in distress
mk247
1882,oil on canvas,39.5x31.375 in,100.5x79.5 cm,musee d orsay,paris,france
37534
The Dangerous Cooks
mk126
1896
Ensor made two studies for this painting,a pastel drawing and a gouache on cardboard.
37486
The Dead Cockerel
mk126
1894
37563
The Deadly Sins Dominated by Death
mk126
1903
This sheet Concludes the series of The Seven Deadly Sins-It also served as the frontispiece for the album of 1904
37446
The Descent from Calvary
mk126
37447
The Descent from the Cross
mk126
37451
The Descent of the Holy Ghost
mk126
37455
The Devils Dzitts and Hihahox,Led by Crazon,Riding a Wild Cat,Accompany Christ to Hell
mk126
1886
37525
The Droll Smokers
mk126
1920
Almost everyone,Even the skulls,appears to be smoking in the painting.
37516
The Drum Major
mk126
1925-29
37444
The Elevation of the Cross
mk126
37413
The Entry of Christ into Brussels
mk126
889
Oil on canvas
252.7x430.5cm
37512
The Entry of Christ into Brussels
mk126
1898
A man wearing a top hat in the near foreground holds a poster declaring Vive Anseele et jesus.
23153
The Entry of Christ into Brussels in 1889 (nn02)
1888
Oil on canvas 102 1/2 x 169 1/2'' The J.Paul Getty Museum,Malibu
37409
The Entry of Christ into Jerusalem
mk126
1885
Drawing
206x150.3cm
37546
The Fantastic Ballet
mk126
1889
This color etching predates the painting of the same name by almost thirty years.
37530
The Fight
mk126
ca.1910
It seems that Ensor was already fascinated by the motif of fighting men a number of years before he produced this work
37554
The Fight of the Angels and the Demons
mk12
1888
This drawing combines two subjects characteristic for Ensor-s entire oeuvre.
37442
The Flagellation
mk126
37549
The flowering Clarinet
mk126
1938
Flowers and musical instruments are the two elements of Composi-tion chose by James Ensor to honor August de Boeck
37548
The Garden of love
mk126
1910
37536
The Gendarmes
mk126
1892
The Gendarmes,painted in 1892,provides an intriguing example of how Ensor deployed his own engaged and expressive individaualism as a vehicle for social critique.
37511
The Girl with Masks
mk126
1921
This picture shows a young girl open-mouthed,with her gaze fixed on bouquet of flowers she is holding in both hands.
37508
The Great Judge
mk126
1898
The Judge is set in the center of the canvas.
Gathered around him are various bewildered-looking
37515
The Grotesque Singers
mk126
1891
37404
The Hippogryph
mk126
1880-85/1886-88
37433
The Holy Family
mk126
37552
The ideal
mk126
1925
11710
The Lady in Distress
1882
3' 3 1/4'' x 2' 7 1/2(100 x 79.7 cm)Gift of Armilde Lheureux,1932
37436
The Massacre of the Innocents
mk126
37441
The Miraculous Draft of Fishes
mk126
37407
The Oyster Easter
mk126
1882
Oil on canvas
207x105cm
23150
The Oyster Eater (nn02)
1882
Oil on canvas
81 1/2 x 59 1/16'' The Antwerp Royal Museum of Fine Arts
37485
The Peaches
mk126
1890
37526
The Pisser
mk126
1887
This Etching is also known under the title.
37466
The Poachers
mk126
1882
37542
The Puzzled Masks
mk126
1930
This work is immediately preceded by a number of graphic varia--tions on the theme.
37484
The Red apples
mk126
1883
37510
The Red Judge
mk126
1900
In this particularly cruel picture,we see a judge flanked by two skeletons wearing top hats.
37450
The Resurrection
mk126
37550
The Ride of the Valkyries
mk126
1938
Ensor painted entirely new works only rarely,when awarded a com-mission,for instance,or when asked to contribute a prize for a raf-fle.
94229
The Rower
painting: 1883.
cjr
37418
The Scandalized Masks
mk126
1883
Oil on canvas
135x112cm
Musee Royaux des Beaux-Arts de Belgique
Brussels
37487
The Skate
mk126
1892
37478
The Skaters
mk126
1889
37460
The Skeleton Painter
mk126
1896-97
37540
The Song of the Wine or Thirsty Masks
mk126
1935
37544
The Tormens of St.Anthony
mk126
1932-33
The motif of illness is evoked by the monk-s habit.
37476
The Tormented Peasants
mk126
ca.1893
37415
The Tribulations of St.Anthony
mk126
1887
Oil on canvas
117x167.5cm
Museum of Modern Art
New York
37543
The Tribulations of St.Anthony
mk126
1909
The theme of temptation as a representation of the artist-s explo-ration of his own powers of imagination is a subject that continued to fascinate Ensor throughout his career.
37551
The Triumph of Venus
mk126
1940
Following in the tradition of Botticelli,Ensor takes up the motif of the foam-born Vens.
37573
The Vile Vivisectors
mk126
ca.1930
37532
The Wise judges
mk126
1891
Social satire works best when there is just enough of a connection with reality to underscore is sardonic difference.
37541
Theater of Masks
mk126
1908
37438
Tribute Money
mk126
37465
View of Mariakerke
mk126
1901
37568
Waiters and Cooks Playing Billiards,Emma Lambotte at the Billiard Table
mk126
1903
37475
White and Red Clowns Evolving
mk126
1890